sunday 22 / 12 / 2024 | 1345 members |
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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.
OPEN PERFORMING ARTS TRAINING EU AGENDA
Italy, Germany, Poland, Romania, Spain, October 2018 - February 2019, JOIN FOR FREE !
Opportunities of FREE Training for European Artists
The Open Street aisbl international association, in the period 2018-2020 is involved in the implementation of two European cooperation projects that receive the contribution of the European Community in the framework of the Creative Europe Program. The activity plan of the two projects, Poetic Invasion, focused on the use of unconventional urban spaces for performances, and Mysteries and Drolls, focused on the roots of the European theatre between sacred representation and profane event, include programming, production and training activities. In the latter contest, the projects offer various opportunities for FREE participation: the upcoming events, scheduled between November 2018 and February 2019 in Italy, Romania, Germany, Spain and Poland, offer to professionals and students of performing arts the opportunity to participate to seminars held by high quality European trainers.
Why take your professional training abroad?
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CONTRADICTIONS by Matej Matejka
27th October - 1st November 2018 in Lörrach (DE) 10th - 13th January 2019 in Lörrach (DE) (to be confirmed) in the ambit of Mysteries & Drolls Eu Project Partner involved in organization: Tempus Fugit e.v. - Lörrach |
With the expression "poor theatre" Grotowski meant a theatre in which the fundamental concern was the actor's relationship with the public, not the staging, neither costumes, nor lighting or special effects. Important to Grotowski was what he could be with the actor’s body and voice with no supports and solely through the visceral experience with the audience. Grotowski joint this concept of “poor theatre” to the concept of "priesthood “or actor's sacredness. It was in this space, in the sacred relationship between the actor and the audience that the spectator was challenged to be transformed by theatre. LOCATION: Lörrach – Germany |
LE JEU CLOWNSEQUE by Christophe Herrada
12th - 16th November in Sibiu (RO) in the ambit of Poetic Invasion Eu Project Partner involved in organization: Teatrul National Radu Stanca - Sibiu |
The workshop is mainly addressed to professional of disciplines of "classic" music, opera, drama ambit willing to put in discussion, just for few days, own artistic path and "usual" direction and ambit, trying to "extract" the clown inside all of us! Of course, also the participation of actors, street artists, and performing art students is much welcome.
LOCATION: Sibiu – Romania
NEAREST AIRPORT: Sibiu (click HERE for connections) ACCOMMODATION: www.airbnb.com cheap solutions starting from 20€ / night / person LOCAL CONTACT: Alexandra Popa alexandra.popa@sibfest.ro 0040 757212539 |
EMPATHIC VIBRATION by Mahala Rai Band (Romanì Music)
19th - 23th November 2018 in Montegranaro (IT) 5th - 9th February 2019 in Bremen (DE) (to be confirmed) in the ambit of Poetic Invasion Eu Project Partners involved in organization: Comune di Montegranaro (2018) and Neue Gruppe Kulturarbeit e.v. Bremen (2019) |
If you come out from conservatory at the end of your studies, or if after year of professional practice in classic music ambit you still have the feeling that something more remains to be learned and it might be used to enrich own musical style....then do not miss this opportunity!! Once in your life, you have the unrepeatable chance to work together with the best Tzigani musicians, arriving straight from Clejani, the Romanian village worlwide considered as the very cradle of entire generations of Lautari musicians! The workshop is mainly addressed to professional musicians, as well as music students, street artists, musicians of street bands.
LOCATION: Montegranaro – Italy |
GRAMMELOT BEYOND THE BORDER
by Andrea Brugnera 26th - 30th November 2018 in Elche (ES) in the ambit of Mysteries & Drolls Eu Project Partner involved in organization: Ass. Maracaibo Teatro - Elche |
The seminar will be aimed to teaching and to exercising of grammelot, a kind of speech-language invented by ancient comedians, able to convey the narrative, with the support of gestures, particular rhythms and sounds, without the usual verbal language. In this key it is possible to improvise – or better, to articulate – grammelot of all kinds related to the most different lexical structures. The actor is so able to speak English, Italian, German, Spanish and Polish grammelots. Of course to do that you must acquire the basic technique, and be prepared to dedicate study and practice to it. LOCATION: Elche – Spain |
THE WALKING THEATRE
by David Boyde and Hillas Smith from 22th to 26th January 2019 in Gliwice (PL) in the ambit of Mysteries & Drolls Eu Project Partner involved in organization: Ass. Pro-Scenium - Gliwice |
In medieval age in England starts to develop the form of Pageants, which are itinerant performances using ox-carts carrying the scenes of the Mystery Plays. In the contemporary Street Theatre there are many touring productions that use self-propelled scene machines, wagons, and the technique of the parade. This workshop, aimed at designers, artists / craftsmen and actors, intends to review the techniques and technologies that can be used for this type of productions. From the point of view of the actors, the course provides an overview on the techniques of street show and contact with the public.
LOCATION: Gliwice – Poland |
To OPEN the city gates to performing arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.
The creation of a international debate, the comparisons between
normative and laws, different urban patterns and policies for development
and support of performing arts, will drive to a new consciousness and
will produce new stimulus in administrators and art operators. This
route could not be undertaken on a simple regional or local level.
Our country, now, is Europe!