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9friday 22 / 11 / 2024 | 1343 members |
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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.
.....Aromatic Company (Zürich)
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BAROMATIC
Genre: Circus Arts 
Category: Small Components: 2 Fee: 900-1500 € Language: No Word Duration: 25 min. |
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Aromatic Company invite you to a bar, here the barman coaxes surprising sounds and music from not only his Saxophone but also from the glasses in his bar. The drinks are served by airmail and some may end up standing on the head of the customers. Juggling, acrobatics, dance and live music blend into a refreshing night out of a show!
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Lights: Warm light filling the space. Backlighting is appreciated. Audio: 2 XLR inputs to a sound system that can be set to hard left and right for stereo effect. 220V Plug Required space: mt. 6 X 8 X 6 Ideal venue: Street Ideal audience: All ages Setting up: 15 min. Dismanteling: 10min. Other requirements: We build stereoscopic sound loops with glass objects, a loopstation and sensitive condenser microphones, wind and background noise are a consideration when choosing a stage for us. We need a very level floor/stage surface. A vacuum cleaner standing by in case we break some of the glass we use in the show. A backstage area where I can warm up on the Saxophone for 15 minutes in the hour before the show. I need 20 minutes to set up my sound gear. If there is no backstage then I need 20 minutes setup time on stage. Translation
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OPEN STREET TUBE, European Performing Art Video Archive
The meeting place for live performances buyers and sellers !!
UPLOAD your productions and highlight them in OPEN STREET TUBE, to propose them on festivals across Europe. TAKE PART in periodical International Showcase, in order to test ONLINE the interest of operators in your artistic proposals.
To OPEN the city gates to street arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.
The creation of a international debate, the comparisons between
normative and laws, different urban patterns and policies for development
and support of street arts, will drive to a new consciousness and
will produce new stimulus in administrators and art operators. This
route could not be undertaken on a simple regional or local level.
Our country, now, is Europe!
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