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wednesday 17 / 7 / 2024 | 1333 members
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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.







.....Pantakin circo teatro (Venezia)

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CIRK IL TEATRO DEL CIRCO




Genre: Circustheatre
Category: Nearly Big

Components: 5
Fee: 3800-5000 €
Language: No Word
Duration: 75 min.
 
     
  Cirk calorosamente applaudito dal pubblico, sta tutto qui: nell'intervallo poetico tra l'inizio di qualcosa e l'attesa che il qualcosa si compia. E’ l'incontro tra il teatro e il circo, sul comune terreno della clownerie: un spazio aperto in cui la comicità fisica e visuale si sposa al mimo, l'acrobatica, la giocoleria, persino un pizzico di prestidigitazione “Pier Giorgio Nosari, L'Eco di Bergamo”

Translation

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  Lights:
carico minimo richiesto 30 kw quadro elettrico con 1 presa da 63A 3 prese da 16A dimmer con 24 ch 18 par cp 62 6 par cp 60 12 pc completi 3 wincher con T o tubo 2mt 2 stativi 3 mt con 1 T/tubo 50 cm prolunghe 16A: 4x 2,5 m 8x 5 m 8x 10 m 4x 20 m 20 sdoppi Socapex/sestuple: 4x 10 m 2x 15 m 3x 2o m

Audio:
2 casse diffusione sala adeguate allo spazio 2 monitor palco ciabatta audio

Required space: mt. 14 X 12 X 7

Ideal venue: Yard
Ideal audience: All ages

Setting up: 300 min.
Dismanteling: 120min.

Other requirements: possibilità di lavorare anche su palco, superfice di lavoro liscia, se piazza o cortile possibilità di oscuramento

Translation
 
   
 
 
   



OPEN STREET TUBE, European Performing Art Video Archive

The meeting place for live performances buyers and sellers !!



UPLOAD your productions and highlight them in OPEN STREET TUBE, to propose them on festivals across Europe.

TAKE PART in periodical International Showcase, in order to test ONLINE the interest of operators in your artistic proposals.





To OPEN the city gates to street arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.

The creation of a international debate, the comparisons between normative and laws, different urban patterns and policies for development and support of street arts, will drive to a new consciousness and will produce new stimulus in administrators and art operators. This route could not be undertaken on a simple regional or local level. Our country, now, is Europe!













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