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saturday 23 / 11 / 2024 | 1343 members
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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.







.....Nino Costrini (Madrid)

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NINO COSTRINI




Genre: Street Theatre
Category: OneManShow

Components: 1
Fee: 400 - 700 €
Language: No Word
Duration: 50 min.
 
     
  Tour de piste Clownesque, solo interactif Que dire de Nino Costrini? Un Charlot des temps modernes qui sous les yeux du public réalise de véritables prouesses artistiques. Attachant et néanmoins vindicatif, Nino Costrini est un provocateur-né, irradie un panel surprenant de facettes qui certes nous amuse et nous balade dans diverses émotions : joie, tendresse en passant par la peur, la panique mais aussi la réflexion sur la vie. Ce grand garçon schizophrène, extravagant, mélange absurde et délire dans un numéro de cirque qui implique le public. Un spectacle qui s’adresse à tous et qui a reçu de nombreux prix dans différents festivals de par le monde, comme par example: 1er Prix World Cup Shizouka 07 1er Prix Festival Festiclown 05 1er Prix Festival de Valladolid 04

Translation

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  Lights:
en cas d etre le soir beaucoup de lumiere statique

Audio:
Oui

Required space: mt. X X

Ideal venue: Street
Ideal audience: All ages

Setting up: 1 h30 min.
Dismanteling: 30min.

Other requirements: 1 pied de microfone. 1 litre de kardan.

Translation
 
   
 
 
   



OPEN STREET TUBE, European Performing Art Video Archive

The meeting place for live performances buyers and sellers !!



UPLOAD your productions and highlight them in OPEN STREET TUBE, to propose them on festivals across Europe.

TAKE PART in periodical International Showcase, in order to test ONLINE the interest of operators in your artistic proposals.





To OPEN the city gates to street arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.

The creation of a international debate, the comparisons between normative and laws, different urban patterns and policies for development and support of street arts, will drive to a new consciousness and will produce new stimulus in administrators and art operators. This route could not be undertaken on a simple regional or local level. Our country, now, is Europe!













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