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friday 22 / 11 / 2024 | 1343 members
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Order HERE the complete guide to street art in Europe... A veritable handbook for those who want to know more about European Street Performing Arts or who needs to find new channels to spread their activities in the international context.







.....Daniela & Marcello (Bassum)

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CIRCO BLACK AND WHITE




Genre: Circus Arts
Category: Small

Components: 2
Fee: 900-1500 €
Language: IT; FR; DE; EN; Spanish. Also adaptable to all languages
Duration: 35 min.
 
     
  Amusing show,modern circus, tightrope,dance,violin, singing,acrobatics,magic, levitation and trained Dalmatian dogs. Story:A small family circus travels all over the world, delighting adults and children and producing a lot of laughter.A particular circus attraction are the dogs Lilly and Laila with joy and funny tricks and also an „almost true“acrobat/chimpanzee,able to make fun of the trainer.

Translation

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  Lights:
By nightshow: Four Lights with stand, two left and two right on the stage/surface. The Company, when required, can provide to bring itself the Lights.

Audio:
A soundsystem with a wireless head-set microphones and a CD player. The Company, when required, can provide to bring itself the amplification.

220V Plug
Required space: mt. 6 X 7 X 4,80

Ideal venue: Street
Ideal audience: All ages

Setting up: 120 min.
Dismanteling: 60min.

Other requirements: A protective wall behind the stage. Place required for the show: a plane surface of 6mX7m. The Tightrope structure is self-supporting and doesn’t require any fixations in the room. It can be installed everywhere and transported on wheels in a very short time. For indoor performances it is necessary to have a ceiling height of about 4,80m.

Translation
 
   
 
 
   



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To OPEN the city gates to street arts means to bring out the value of open air spaces assigned to social life, to enforce the cohesion inside communities, to improve the local tourist activity, to create new routes for exchange and integration between European countries.

The creation of a international debate, the comparisons between normative and laws, different urban patterns and policies for development and support of street arts, will drive to a new consciousness and will produce new stimulus in administrators and art operators. This route could not be undertaken on a simple regional or local level. Our country, now, is Europe!













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